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Oh dear, all of a sudden it's Christmas...

24/12/2017

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Well, well, well – that didn’t go according to plan! It’s almost four weeks rather than the aimed-for two since I published my last blog post. It’s not that I didn’t have any ideas what to write. Rather the opposite. But – well, the blog comes second to whatever else is going on in my life and I simply didn’t find the time for it. However, I intend to make up for it and publish a few posts “retrospectively”, i.e. fiddling with the publishing date. If you are one of my more loyal readers, hopefully it may be worth scrolling back to check for “missed posts” come mid-January. If only I could fool myself...

Anyway, what I want to say is: I’m still here and as mad about all things “plant” and as keen about writing as ever. And to prove it, here is a small post on the eve of Christmas (I don’t want to ring my own bell, especially after what I just had to confess, but for a mum of two smallish ones who has to actually organize Christmas I hope you appreciate the dedication to you, lovely readers! ;-)  )
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Earlier this week I went to Columbia Road with a friend. Every Wednesday evening in December the shops there – many of which normally are only open during trading hours of the famous Columbia Road Flower Market, i.e. Sundays between 8am and 2pm – fling open their doors  until 9 pm to welcome customers keen to hunt for presents away from the usual madness of thronged high streets and shopping centres. The whole experience couldn’t be more different: every small shop lovingly and individually decorated, mulled wine and mince pies or biscuits on offer, carols maybe, a sense of being part of community of “conspirators” or perhaps connoisseurs who know where to go and look.
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Present shopping here is actually enjoyable! Not least because you will find so many things that are not “run of the mill”. Only trouble is: you are very likely to find at least as many gifts you’d like for yourself as you will for others. Sure enough, my friend and I were no different. And as wise old Oscar Wilde so sagely said: I can resist anything but temptation…  But, you know, despite pleading with my friend not to tell my man how much I’d spent on myself I actually do not regret the purchases (always a good sign if you still feel that way after three days). Least of all the most expensive one: several stamps.

No, not postage stamps. I’m talking of stamps that would be inked and then printed onto paper – in this case as illustrations in Victorian catalogues. It was a lovely vintage shop, tastefully decorated, with all sorts of bric-a-brac. When my friend found something that piqued here curiosity, I still felt detached enough to remind her asking how much it cost in a nonchalant way so as not to betray her interest and thus perhaps driving the price up. Ten minutes later and I’d completely forgotten my own advice – or rather, I was totally incapable of concealing my excitement.
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I first came across several stamps of what could be old wash tubs or big bowls. The metal finely etched, the wood weathered and inscribed with numbers and letters in ancient handwriting, I asked where they came from and what they were used for. The shop owners had picked them up in the Netherlands, they told me, but they were likely produced somewhere else and they served (as mentioned above) to illustrate catalogues. They showed me others and within seconds I felt like a child in a sweet shop: four different cast iron stoves for heating greenhouses or conservatories, each highly ornate; four different types of shovels and spades, ...

I’d never seen anything like it for sale anywhere before and of course I HAD to have them. If anything, the shop owner seemed amused by my excitement and very kindly threw one or two in for free as I couldn’t make up my mind which ones to choose. He may even have given me a discount. I know he not only said so, because the stamps had prices attached to them. Proof, if it was needed, that nonchalance isn’t always the best way to go about such things. Back home, I handed the package over to my man and told him he could put it under the Christmas tree for me. He was kind enough not to ask how much they’d cost and I didn’t tell him. Still, considering that they are a sort of “true antiques”, I believe I didn’t pay over the odds.


Tantalizingly, there is a German address engraved into the wood in some of them – quite possibly the manufacturers. The products depicted however – the stoves, spades etc.  – seem to have a French or Belgian inscription or trade name. So who was F.A. Mueller, Fink Str. 26, Stuttgart ? I’d love to find out more, perhaps uncover the stamps’ story. Can’t wait to unwrap them in a few hours!

Have a very merry Christmas and a great start into the new year, wherever you are!
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Of builders, autumn colour and the conflict between being plant mad and good garden design

12/10/2017

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It doesn’t seem quite fair. This year, my little plot is more colourful than ever before in autumn yet I can’t really enjoy it. For weeks now our block, a converted former Victorian school, has been scaffolded in: the window frames needed painting.

If I’m honest, I’m glad it happens now rather than during late spring and summer as was originally announced. With all our windows facing the same way there is no escaping the view of planks, poles, builders and decorators at work anyway. But as the aspect is South, more than anything I dreaded the heat, increased by netting around the scaffolding and not being able to open windows for most of the time. Anything above 27 degree Celsius and I start switching off. And from a gardener’s point of view, of course, the prospect of missing out on spring and/ or summer was devastating. So I breathed a sigh of relief when the schedule was changed.

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Only a snapshot from a very dull day; backlit by sun, nerines and the Virginia Creeper positively glow

Having avoided the worst, right now of course it feels different. Chilly nights and crisp mornings in September followed by mild days have turned the Virginia creeper into a truly spectacular blaze of red and orange. Most years it tends to stick to yellow with flecks and streaks of red only, due to its very sheltered position. The ornamental sages, many from cuttings that this year have come of age and grown into strong plants, flower their hearts out: red, cornflower blue, deep purple, neon pink. Michaelmas daisies, toad lilies and Japanese anemones add to this, as do nerines, pelargoniums (still going strong), fuchsias and a whole host of others. It’s an orgy of colours. Yet little of it is visible from the windows.

Moreover, when I squeeze through the door (the scaffolding only allows it to open for a small gap) almost the only choice I have is to water the plants or stand and admire. There’s no room for anything else right now. Every square inch is occupied by pots, safe a narrow path to access them all for watering. So is the garden table where otherwise I would love to sit and work on fine days: on top, there are all the pots usually homed on the windowsills, underneath I stuffed empty pots and bags of compost (I don’t have a shed) so I can’t even pull out a chair.


We were told we had to vacate the first three metres of the garden in order for the scaffolding to be erected. This more or less meant moving half the garden into the other half. As on this side most of these were pots on pebbles and slabs it sort of worked. But there was one victim: the Pohutukawa.

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The Pohutukawa (Metrosideros excelsa) in question has lived here before me. When we arrived, it was in a sorry state of neglect; in fact, it was near dead. I repotted it and slowly nurtured it back into a nice specimen. A few years ago I forgot to put a saucer back underneath the pot for summer which I'd taken away so that during the colder months it wouldn't sit in water making the roots rot. That summer, the Pohutukawa really started taking off. It took me a while to realize why: its roots had escaped the confines of the pot and extended into the layer of gravel and pebbles below, taking advantage of every drop spilled and every nutrients from the detritus that had accumulated there.

By this September, not only had the Pohutukawa grown so much it reached the second floor, it also covered almost the entire kitchen window. The decorators needed access. So we got a saw out and I hacked back the tree to a more or less leafless stump. I'll spare you the details of my emotions, suffice to say I felt like a murderer and - I kid you not - blubbered like a child whilst sawing off branch after branch. I don't easily cry.

But it wasn't enough. I still needed to shift the pot. This probably meant the death sentence. For the roots had made the most of their freedom and - as I was to discover - had turned an area of about four square metres into something like felt: pebbles woven together by fine roots. The main root growing out of the hole at the bottom of the pot was almost as thick as my wrist. Giving in to fate - or rather: the builders' order - I cut it off at the pot's base. I don't know whether my Pohutukawa will survive this butchering. It's still there and I keep it on the dry side. Perhaps there is hope, though I'm not overly optimistic.

After that, though, I flatly refused to move the other Metrosideros nearby. That one I have grown myself from a seed the size of an eyelash, gathered in a friend's garden in New Zealand almost twenty years ago. It would have been too much to bear. So I got the foreman in, explained and pleaded with him, under shameless use of my own eyelashes. He appears a bit like a slightly grumpy old uncle, but he had enough of a heart or sympathy to not insist: I just had to tie the branches tight to a scaffolding pole to keep them out of the way. While I usually refer to it as a Pohutukawa, too, in reality it probably is a Southern Rata (Metrosideros umbellata), another New Zealand endemic. Its branches - at least with my plant in a pot - are more pliable so the tying up tight proved no problem.

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From this...
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... to that.

One thing that has been thrown into even sharper focus by having to move the pots closer still is that my garden lacks design. Sure, the hard landscaping is there: a strip of gravel, then three steps up to a patio or terrace surrounded on three sides by a narrow strip of open soil. It was thus laid out when the building was first converted into flats. Other than that, though, the almost empty canvas I found when moving in has been turned into a painter's palette rather than a painting.

For a long long time I have toyed with the idea of re-training in garden design. In fact, when first out of school after A-levels and a horticultural apprenticeship, I applied for a landscape design diploma course at uni. It was coincidence rather than – ahem – design, that I ended up doing something entirely different. Still, the idea never left me.

Very slowly and reluctantly over the years, however, I have come to the realization that this is not for me: I don’t think I’d ever make a really good designer. Why? Well, design is about restrain – at least this is how I’d describe it for this purpose. I on the other hand love plants. For the sake of plants. Apart from the fact that I probably wouldn’t come up with very ingenious solutions to tricky sites (hard landscaping isn’t something my mind thinks creatively about), I’d ruin any design by cramming in far too many plants or at least far too varied a planting.

It’s the same indoors. While I long for and sigh at the sight of elegant, even minimalist interiors, I could not for the life of me manage to keep a place like that. Within hours of me moving in, bits and bobs would
start to gather on the clean shelves and surfaces – shells, pebbles, ceramics… I just can’t help it.

Outdoors, faced with one of the truly elegant designs that only come about by having a restrained palette of plants (but those in greater numbers), I’d sit and admire – and would feel excessively bored. Someone told me garden designer Jinny Blom advises that if you have a list of say 20 plant species for a design to cut it back to seven. I love Jinny’s gardens. It’s just not for me.

I love to fuss and care, experiment and try, mollycoddle and despair – all for the sake of it. For nostalgic reasons, for the individual specimen. Otherwise I’d never bother with frangipani as it’s just not likely to ever thrive with me. I wouldn’t have small pots everywhere, with seedlings and cuttings that I often took for no other reason than try and see whether I can make the seed germinate and grow. One or two of a kind, the rest given away, mine is a hodgepodge rather than a design. I love the actual nurturing, the propagating, the raising of plants. A fellow gardener once said I should open a nursery. Maybe I should. Visiting my plot, no-one ever suggested I should design gardens…

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Mind you: that’s not to say that I do not assemble and group with a keen eye for matching or contrasting shapes, colours, heights and textures. I very much do! But I suffer from that not uncommon gardeners’ ailment of wanting to grow as many of the plants I love as I could possibly get away with cramming in. Lack of space means there is just one individual of each species, two at best. It makes for a varied diet for the local insect wildlife but it sure doesn’t make for a coherent picture. At the moment, I prefer assembling treasures. But I do think that one day, when I strike it big [well, you can always dream…] and have more space to play with, I’d like a bit of co-ordination, a more restful view to the eye.

Perhaps I will eventually get bored with this mishmash. Perhaps I’m still at this “beginners’ stage” where you want to have and grow everything. Perhaps I too eventually will arrive at – and, more importantly, adhere to – the wisdom that you simply have to find out, by trial and error, which plants are happiest in your garden and then grow lots of these. In theory I know this, of course. I just don’t want to accept and bow to it yet.

So, until then, I continue experimenting and hoarding and will enjoy the pathetic two stalks of blooms where there should be a big drift of this species to make any impact. And when the builders have left in the afternoon, I’ll go outside and feast on the colours and smells in my little garden and try to bottle them into my mind for the grey winter days to come.

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Same season two years ago. Quite a few pots have been added since...
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    About the Author,
    Stefanie


    Born and raised in East Berlin, Germany. Has moved a few miles west since, to East London. Gardening since childhood, though first attempts were in what should properly be described a sandpit (yes, Brandenburg’s soil is that poor). After 15 years of indoor-only gardening has upgraded via a small roof terrace to a patio plot crammed with pots. Keeps dreaming about a big garden, possibly with a bit of woodland, a traditional orchard and a walled garden plus a greenhouse or two. Unlikely to happen in this lifetime - but hey, you can always dream.



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